Across these veils, which are the pages of
the chapter Las Meninas by Michel Foucault three characters interact, overlap,
and infect one another: the ‘princess’, from the painting Las
Meninas by Velásquez, a Plague doctor and a dog that bears witness to
the narrative unfolding before him. The princess appears as a self-generating
creative force, often with a paintbrush in hand, the plague doctor is a
harbinger of death. In this installation the two figures at times overlap and
merge into a single entity, it is not always clear where one begins and the
other ends. The landscape in which this
takes place depict mountain ranges that map the rise and fall of the pandemic,
but equally refer to the Bubonic plague in the seventeenth century. In the
night sky above float spacecrafts and astronauts, attached to the astronauts
are the tubes and oxygen tanks needed for breathing. Below the tumult, in
the quiet depths, swim schools of salmon.