The
princess also miraculously generates worlds with her brush. They come into
being ‘out of the blue’, which means ‘from nowhere’ or ‘from left field’ –
unexpectedly. She paints herself in repeated acts of self-generation: the
artist begets her own consciousness through the materiality of paint and brush
and canvas. The artist thinks herself into being. She inscribes but is also
inscribed upon, she is an extension of the discourse of order, she is a
proponent of codes that describe how the world is made, but also how it falls
apart.
The Dog in
the Night: Christine Dixie’s Blueprint for the DisOrder of Things
Bronwyn
Law-Viljoen