In the painting Las
Meninas, the dwarf Nicolasito Pertusato places a foot upon the king’s dog, a
Spanish mastiff. By placing the two dwarfs and the dog on the periphery of the
painting, within a triangular formation, the dwarfs are reinforced as a
category to be placed against the norm. The gaze of a new scientific order, characterized
by Linnaeus’s rigid structural system which began with plants and animals, eventually
widened its parameters to include humans.
Nicolasito, represented as playful and
childlike in the painting, becomes the whistle-blower in my alternate version.
Despite the mayhem beneath his feet, he is intent on exposing the underlying
problematic categorisations imposed at court, questioning the natural Order of
Things.